646f9e108c The world's water supply has dried up due to some sort of apocalypse. A beautiful woman holds the secret to where one of the last springs being guarded by a group of Amazons. A "Road Warrior" like crew captures her and tries to make her talk through brutal torture. The hero (Styrker) unites with some of the remaining "good guys" and the Amazons and frees the woman. They go on to a "Road Warrior" type of concluding battle with the bad guys.
This movie, though often described as a low budget Mad Max or Road Warrior movie, is more comparable to Wheels of Fire. It is low budget pleasure that features silly or nonexistent acting, crazy choreography, and a wonderful cast of actors and actresses you've probably never heard of. Yet, this little gem is downright action packed fun, 1980s style! The movie is set in a futuristic post-holocaust world that is largely made up of desert, dunes and rocky hills. The largest and most precious commodity in this world is water, and those in control of water sources control the most power. The plot ultimately involves a small community defending a secluded sanctuary - an underground water source - from a wicked tribe of Road Warriorish thugs. Lots of crazy car chases, gun-toting warriors, cheap special effects (pyrotechnics), and stiff choreography during the fight scenes.<br/><br/>One fella stands out as the main character, a roguish silent wanderer named Stryker on a personal mission. He's a satisfying lead, meeting every cliché of the strong silent type. His dialogue is scarce, and his ability to express emotion comes across as forced. But he's extremely suitable for his role, however, given the handful of actors and actress he is working with in this movie. If you're not fond of the strong silent lead, you have a host of typically attractive 1980s female desert warriors, some donned in what appears to be football shoulder pads (sorta like Road Warrior). The main villain, unfortunately, never gets any sort of identity, not even to the point of cliché. He's just a mean thug who can't talk without sounding like he has a mouth full of marbles. The movie tries to build him up as someone foul enough to peak Stryker's persistent and stubborn indifference, yet, as a movie villain, he simply fails to impress the viewer as a credible threat to someone as collected and methodical as Stryker.<br/><br/>I rate this movie 9 out of 10 because for a low budget flick, it packs a lot of action, shoot outs, and car chases. One serious drawback to the movie, however, is the extremely boring set - desert. Probably 95% of the film was shot outdoors in what appears to be nothing but deserts and dunes. After watching this setting for about 5 minutes, the movie gets very claustrophobic and you get the distinct impression that all the different filming locations were done within a 5-minute walk of each other. But the movie is really a little unpolished gem. You have to love low budget antics to give this movie an entire viewing. It's one of those movies you'll either love or shut off after the first five minutes.<br/><br/>This movie is rated R for violence and nudity.
Steve Sandor ("Bonnie's Kids") is the title character in this routine "Mad Max" & "Road Warrior" inspired post-nuke sci-fi action flick. Teaming up with another hunky hero, Bandit (William Ostrander, "Christine"), he decides to help out a lovely young woman, Dielha (Andrea Savio), with knowledge of a plentiful water source. You see, in this world of the future, landscapes often consist of deserts, and water is hard to come by. The villain who stands in everybody's way is a snarling despot named Kardis (wrestler / actor Mike Lane, "The Harder They Fall").<br/><br/>This was the first of *seven* movies that Filipino exploitation icon Cirio H. Santiago ("TNT Jackson") made with similar themes and stories. It's not particularly distinguished, and you soon see that the "story", such as it is, is often incoherent. At first it seems as if we won't ever get to know the characters very well, but Santiago does save that stuff for the second half of the picture, when things slow down for a bit. We even get a bit of romance.<br/><br/>Santiago mostly concentrates on action and pace, and shows his audience a reasonably good time, with sex and violence aplenty. The music, credited to Ed Gatchalian and Susan Justin, is occasionally hilariously bad, but mostly it's good, atmospheric stuff, with a heavy accent on percussion. Costumes and vehicles are decent looking, but where the movie really works is the use of locations and the art direction.<br/><br/>Sandor is not a bad actor, but he's just sort of taking up space here. His character is generic and lacks personality. Ostrander also does what he can with an under written role. Lane is an effective, amusing villain, and the supporting cast includes Monique St. Pierre ("Motel Hell") and Filipino exploitation mainstay Ken Metcalfe, who was also the casting director on this show.<br/><br/>Not a terrible way to kill an hour and 24 minutes, but some people may prefer to just revisit the works of George Miller instead.<br/><br/>Six out of 10.